中世纪伊斯兰世界音乐和音乐家社会史 Music and Musicians in the Medieval Islamicate World A Social History

2021 | ISBN: 1784539546 | English | 296 pages | PDF | 11 MB

在中世纪早期的伊斯兰时期（公元 800-1400 年），与音乐和音乐家有关的话语广泛而有争议，并表现在音乐理论和哲学以及文学和诗歌的作品中。但尽管有影响力的学者尝试和政治领导人限制或控制音乐表达，音乐和声音渗透到社会结构的各个层面。

丽莎·尼尔森 (Lisa Nielson) 在这里展示了伊斯兰时代早期音乐、音乐才能和音乐家角色的丰富社会历史。 Lisa Nielson 主要关注大马士革、巴格达和耶路撒冷，借鉴了为音乐家及其专业/私人环境而写的各种文本资源，“包括编年史、文学资源、回忆录和音乐论文”以及音乐学的学科方法提供对音乐表演和音乐家生活的见解。在这个过程中，这本书揭示了中世纪伊斯兰法院的动态，以及奴隶制、性别、地位和宗教如何与宫廷生活中的音乐相交。它将吸引伊斯兰世界的学者和历史音乐学家。

During the early medieval Islamicate period (800″1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure.

Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments ” including chronicles, literary sources, memoirs and musical treatises ” as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists.

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